There’s a new Walt Longmire novel, Craig Johnson’s latest in the series, By Any Other Name.
Click her for the Wyoming Tribune Eagle review.
Shortly following the publication of the new book, the Longmire television series returns June 2 on A&E.
Call for Chapters
Evil Women and Mean Girls: Critical Examinations of the Fairer Sex’s Nasty Side in History, Literature, and Popular Culture.
Edited by Lynne Fallwell and Keira V. Williams, Texas Tech University
Due date for abstracts (500-700 words): September 1, 2014
Notification of acceptance date: October 1, 2014
Due date for accepted paper drafts (8000-10,000 words):March 31, 2015
The editors invite scholars from relevant disciplines to submit original research for the proposed collection Evil Women and Mean Girls. The purpose of this edited collection is to explore gendered representations of “evil” in popular culture and history (historical era and geographical region open). Scholars often explore the relationships between gender, sex, and violence through theories of inequality, violence against women, and female victimization, but what happens when women are the perpetrators of violent or harmful behavior? In this volume, we seek to explore the following questions: How do we define “evil”? What makes evil men seem different from evil women? When women commit acts of violence or harmful behavior, how are they represented differently from men? How do perceptions of class, race, and age influence these representations? How have these representations changed over time, and why? What purposes have gendered representations of evil served in culture and history? What is the relationship between gender, punishment of evil behavior, and equality?
Chapter proposals may include, but are not limited to, the following topics:
Abstracts of 500-700 words should include:
Inquiries are welcome, and should be directed to Keira Williams or Lynne Fallwell at email@example.com.
Keira Williams holds a Ph.D. in History and is an Assistant Professor in the Honors College at Texas Tech University. Her research fields include gender, crime, and popular culture, and she is the author of Gendered Politics in the Modern South: The Susan Smith Case and the Rise of a New Sexism (LSU Press, 2012).
Lynne Fallwell holds a Ph.D. in Modern German History. Her research fields include gender, Nazi medicine, Holocaust and Comparative Genocide, and she is the author of German Midwifery 1885-1960 (Pickering & Chatto, 2013). Currently, she is Director of National and International Scholarships & Fellowships at Texas Tech University.
From left to right, Margo Lukens (University of Maine), Lorrayne Carroll (University of Southern Maine), Sabine Klein (kneeling, University of Maine-Farmington), Michael Johnson (University of Maine-Farmington), Jennifer Tuttle (University of New England), Annette Kolodny (Professor Emerita of American Literature and Culture, University of Arizona), Nancy Gish (University of Southern Maine), and Cathleen Miller (University of New England).
Held at the Maine Women Writer’s Collection at the University of New England, faculty from several Maine campuses gathered together to pay tribute to influential scholar Annette Kolodny, present in Maine to participate in a series of lectures at three UMaine campuses (USM, UMF, and Orono). I don’t usually post Maine-oriented material on the WLA blog, but this seemed like a special occasion, as Professor Kolodny was touring the state in support of her book, In Search of First Contact: The Vikings of Vinland, the Peoples of the Dawnland, and the Anglo-American Anxiety of Discovery, which was awared the 2013 WLA Thomas J. Lyon Book Award for Outstanding Book in Western American Literary and Cultural Studies. Also, among the faculty contributing to the tribute to Professor Kolodny were a couple of WLA members (Michael Johnson, and Jennifer Tuttle, who hosted the event).
PPHR Panhandle-Plains Historical Review
General Call for Papers
PPHR (published since 1928) is a scholarly historical journal that annually publishes articles and book reviews relevant to the region. The phrase ‘Panhandle-Plains’ emphasizes a sense of the region centered on the Texas high plains but inclusive of Texas, Southwest, and Great Plains scholarship radiating more broadly as may be of interest to our readership. While based in the field of history, PPHR has long welcomed research in the social sciences and humanities—for example, geography, anthropology/archeology, art history, and literature—as long as it demonstrates a strong historical grounding.
The Panhandle-Plains Historical Review will at times do special topic issues (learn more about this at our website: http://www.wtamu.edu/pphr) but at all times welcomes submissions on diverse topics including:
ranching and agriculture
pioneers and early settlers
Native American history and culture
the role of the military
modern settlement and economic development
cultural and historiographical analyses
PPHR is a double-blind peer reviewed journal. Queries welcome to Alex Hunt (firstname.lastname@example.org).
Editorial Board: Paul H. Carlson, Professor of History, Emeritus, Texas Tech University • Dan Flores, A. B. Hammond Professor of History, University of Montana • Michael R. Grauer, Associate Director for Curatorial Affairs/Curator of Art and Western Heritage, Panhandle-Plains Historical Museum • Marty Kuhlman, Professor of History, West Texas A&M University • Bonney MacDonald, Professor of English, West Texas A&M University • John Miller Morris, Professor of Geography, University of Texas at San Antonio • Garry Nall, Professor of History and Editor, Panhandle-Plains Historical Review, Emeritus, West Texas A&M University • B. Byron Price, Charles Marion Russell Memorial Chair, Director of Charles M. Russell Center for the Study of Art of the American West, and Director of the University of Oklahoma Press, University of Oklahoma • Sherry Smith, Dedman Family Distinguished Professor of History, Associate Director, Clements Center for Southwest Studies • Jean Stuntz, Professor of History, West Texas A&M University
DAY OUT OF DAYS: A SAM SHEPARD SYMPOSIUM
DERBY THEATRE NOVEMBER 15TH 2014
Take a day out of days to explore the surreal magic of America’s leading living playwright. From humble beginnings in the lofts and cafés of the Village, New York to Broadway and across the globe Sam Shepard has explored family, violence, politics and fear. These are typical American theatre themes but Shepard takes them on through the eyes of a cowboy. He mixes classic American theatre with uniquely American cinema, all inspired by the British and Irish theatre revolution of the 1950’s. A Stetson wearing playwright? If he didn’t exist, you’d have to make him up.
Already famous by the end of the 1960’s for opinion splitting but award winning plays such as The Rock Garden and La Turista he then escaped New York City and moved to London. There he wrote perhaps his most purely Shepard play The Tooth of Crime, attempting to mix his passion for music intricately into his theatre work. Only after his return to the States though was his reputation secured with Buried Child, True West and Fool for Love. Family plays with a dark heart.
He is of course, for the general public, more famous for his film appearances and script writing. Days of Heaven saw his first big film but it was the Oscar nomination for playing Chuck Yeager in The Right Stuff that brought him a brief Hollywood stardom. He has gone on to star or co-star in dozens of films since then and written screenplays, most famously for Wim Wenders’ Paris Texas. The books of short stories/poems/thoughts that have often come from these film experiences such as Motel Chronicles, Cruising Paradise or Day out of Days are perhaps the purest form of his writing and can be read again and again.
Sam Shepard has just turned seventy and is still as busy as ever. With the influence of Samuel Becket never far away, it is appropriate that much of his recent work has premiered in Ireland due to his strong connections with Abbey Theatre and Stephen Rea’s ‘Field Day’ Theatre Company.
This symposium explores not only his playwriting but also his films and stories, all through the most expert and experienced writers and practitioners working on or with Sam Shepard.
If you are familiar with his work this will keep you right up to date, if you have only just found an interest in some aspect of his art then this symposium will have you coming back for more.
All this from a man who’d rather go fishing than go and see a play. Sam Shepard is still at the centre of a contradiction. “Can we become completely ourselves even while wishing we were something else?” (Sam Shepard, Derry, 20th November 2013)
The day will include the premiere of Ashley Smith’s new play I wish I was Sam Shepard
Stephen Bottoms, “Fascinating me to Death: Sam Shepard and the Environmental Absurd”
Phillip Breen (Director), “True West in the 21st Century. Why Shepard’s masterpiece is the play for now”.
Emma Creedon, “Ireland’s Bromance with Sam Shepard…and Vice Versa: A Site for the Surreal.”
Neil Campbell, “Post-Western Man: Framing the West in Sam Shepard’s Films”
£25 for the symposium and play performance, including buffet lunch, teas and coffee.
£12 concessions for seniors, students and unwaged.
How to Buy a Ticket
Contact the Derby Theatre Box Office on 01332 593939 or book online at www.DerbyTheatre.co.uk
Celebration of Deadwood‘s 10th anniversary (narrated by Jim Beaver):